Personalise your experience
Change your country, language and currency here whenever you wish.
|
|
|
Must-See Châteaux |
|
|
|
|
|
|
The Bordeaux bottle with its high square shoulders, the Burgundy bottle with its generous curves, the slender Alsace flute, the squat Jura clavelin, the Provençal corset flute. The wine bottle is far more than a simple container — it is an object steeped in history, regional traditions and glassmaking expertise. Each shape tells the story of a wine region's identity and, sometimes, reveals something about the style of the wine it holds.
Before the 17th century, wine was not stored in bottles but in amphorae, barrels or wineskins. These containers were impractical to transport and did not allow for good long-term preservation — wine oxidized rapidly upon contact with air. It was in the 17th century that everything changed, thanks to an English innovation.
It was the English, great enthusiasts of French and Portuguese wines, who first had the idea of bottling wine in glass bottles to facilitate its export. Sir Kenelm Digby, a scientist and diplomat, developed around 1630 the first resistant and tinted glass bottle. The glass bottle made it possible to measure precisely the quantity sold, to protect the wine from light, and to achieve far better preservation conditions than in a barrel.
From that point on, each French wine region naturally developed its own bottle shape, according to its local glassblowing traditions and the specific needs of its wines. These shapes were not the result of a central decision or a set of specifications; they are simply the product of centuries of tradition and regional expertise. The Bordeaux bottle appeared in the 18th century, the Burgundy bottle at the end of the 17th, and the Alsace flute in the 19th.
Historical curiosity: before becoming cylindrical, Bordeaux bottles were cone-shaped — practical for standing upright on sand, but difficult to store and stack. It was the need to store bottles on their side (to keep the cork moist) that imposed the cylindrical shape we know today.
|
Bottle name |
Region of origin |
Characteristics |
Wines & grape varieties concerned |
|
Bordeaux (Frontignan) |
High, pronounced shoulders, straight cylindrical body, thin and short neck |
Cabernet Sauvignon, Merlot. Red wines from Bordeaux, the South-West, Languedoc. The most widespread in the world. |
|
|
Burgundy bottle (Dead leaf) |
Round, sloping shoulders, slightly conical body, deep punt |
Chardonnay, Pinot Noir. Burgundy, Beaujolais, Côtes-du-Rhône, Alsace (some), Provence. |
|
|
Champagne bottle |
Thick glass (6 bars of pressure), very deep punt, muselet neck, squat body |
Champagne, Crémant, all sparkling wines. Pressure resistance is mandatory. |
|
|
Alsace flute (Germanic) |
Alsace / Germany |
Very slender, tall and slim, very gentle shoulders, flat bottom, very long neck |
Riesling, Gewurztraminer, Pinot Gris. Alsace (protected by decree since 1955), Mosel, Rhine, Austria. |
|
Jura clavelin |
Very squat, short and square, unique capacity of 62 cl, short neck |
Jura Vin Jaune only. Regulated capacity representing the quantity remaining after 6 years of aging. |
|
|
Provençal (corset flute) |
Flared skittle-shaped silhouette, narrowing at the bottom, elegant and distinctive |
Provence rosés. Two formats: corset flute (estate wines) and Côtes-de-Provence. |
|
|
Ligérienne (Val de Loire) |
Slender, finer than the Burgundy bottle, must obligatorily bear the regional coat of arms |
Muscadet, Sancerre, Pouilly-Fumé, Vouvray. Recognizable by its regional coat of arms. |
|
|
Rhodanian (Côtes-du-Rhône) |
Similar to the Burgundy bottle |
Grenache, Syrah, Viognier. |
|
|
Porto bottle (Porterienne) |
Portugal |
Resembles a Bordeaux bottle but with a bulge on the neck to retain sediment |
Port, Madeira, fortified wines. The bulge is a functional innovation for decanting. |
The Bordeaux bottle is the most widespread bottle shape in the world. Adopted in Bordeaux in the 18th century, it is characterized by its high, wide and very pronounced shoulders, its perfectly cylindrical body and its thin, short neck. Its rectilinear silhouette earns it the nickname "Frontignan" in glassmakers' parlance.
The function of the shoulders is precisely technical: they serve to retain the sediments that naturally settle in aged red wines during pouring. When the bottle is tilted to serve, the tannic deposits remain trapped at the shoulders rather than sliding into the glass. This is why highly tannic wines — Cabernet Sauvignon from Bordeaux, wines from the South-West — have traditionally favored this shape.
Today, the Bordeaux bottle is used well beyond the Gironde: the South-West, Languedoc-Roussillon, Provence (in part), and throughout the world (California, Chile, South Africa, Australia). Its rectangular shape makes it easy to store in a cellar and to stack in cases — a considerable logistical advantage for négociants.
Considered by many to be the French bottle par excellence, the Burgundy bottle is distinguished by its round, sloping shoulders, which give it a softer and more feminine silhouette than the Bordeaux bottle. Its body is slightly conical, wider at the base than at the neck, and its punt (the indentation at the bottom) is generally very deep.
Having appeared in Burgundy at the end of the 17th century, it takes its nickname of "dead leaf" from the brownish-orange tint of its glass, evoking autumn leaves. Its sloping shoulders are not intended to retain sediments; in Burgundy, wines are generally less tannic and more refined, and delicate decanting is preferred.
The Burgundy bottle has spread well beyond Burgundy: Beaujolais, Côtes-du-Rhône, Sancerre, Pouilly-Fumé, and across many regions of the world for wines based on Pinot Noir and Chardonnay. Almost all Chardonnays in the world are bottled in this type of bottle.
It is the tallest of the French wine bottles and one of only two whose shape is protected by law (along with the Jura clavelin). Any wine wishing to bear the Alsace appellation must obligatorily be bottled in this slender flute, characterized by its extremely fine and barely pronounced shoulders, its very long neck and its slim body. This bottle is also known as the "Germanic bottle" because its shape is shared with the wines of the Rhine and the Moselle in Germany.
A visual curiosity: Alsace Riesling bottles are often brown, while those of German Riesling are generally green — an old convention that allows the two traditions to be distinguished at a glance.
The clavelin is one of the most singular and recognizable bottle shapes in the French wine world. Squat, short and square, this uniquely shaped flask is exclusively reserved for Vin Jaune from the Jura, and its capacity of 62 cl is no coincidence: it represents exactly the quantity of wine remaining in the barrel after six years of aging under a veil from an initial liter. Natural evaporation (the "angels' share") and the absence of topping up (the barrel is never refilled) account for this loss of 38 cl.
The clavelin is thus one of only two mandatory regulated formats in France, along with the Alsace flute. Bottling a Vin Jaune in a 75 cl bottle would simply be contrary to the appellation's specifications.
It is impossible not to recognize it: the Provençal bottle in the shape of a bowling pin, with its characteristic narrowing in the lower section, has become one of the strongest visual symbols of rosé wine in the world. Since Provence rosés experienced their international rise in the 2000s–2010s, this unique silhouette has become a global marketing icon.
The AOC Côtes de Provence uses two types of bottles: the corset flute (for estate wines) and the "Côtes-de-Provence" (a more classic funnel shape), used by cooperatives and certain négociants.
The Champagne bottle is not simply a wine bottle with bubbles in it: it is a feat of glassmaking engineering. To withstand the internal pressure of Champagne (approximately 6 bars: three times the pressure of a car tire), it is made from much thicker glass than other bottles, and its punt is particularly deep to reinforce the structure.
The neck of the Champagne bottle is designed to receive a muselet (the wire cage that holds the cork in place), and the shoulders are slightly rounded to distribute the pressure. Its dark green glass protects the wine from light — the only notable exception being the Cristal Roederer bottle from the house of Louis Roederer, made from transparent glass protected by a yellow anti-UV cellophane.
|
Part of the bottle |
Definition & role |
|
The capsule |
A metal or plastic foil covering the cork and the neck. Protects the cork and bears the legal mentions. Made of tin (very premium), aluminum or plastic depending on the range. |
|
The ring |
A slight bulge located between the neck and the shoulders. It allows the capsule or the wire cage of sparkling wines to be seated. It also makes the bottle easier to grip when serving. |
|
The neck / throat |
An elongated cylindrical section between the ring and the shoulders. Its length varies according to the shape: very long in the Alsace flute, short in the clavelin and the Bordeaux bottle. |
|
The shoulders |
Transitional part between the neck and the body. High and pronounced (Bordeaux bottle): retains sediments during service. Sloping and round (Burgundy bottle): a more supple style. |
|
The barrel / body |
The widest part of the bottle. Cylindrical and straight (Bordeaux bottle), slightly conical (Burgundy bottle). This is where the bulk of the liquid is stored. |
|
The punt |
An indentation hollowed into the bottom of the bottle. It serves a triple purpose: bottle stability, collection of sediments during decanting, and reinforcement of pressure resistance (very deep in Champagne bottles). |
|
The heel |
Base of the bottle surrounding the punt. The bottle's resting point on the table or storage rack. |
Known as the "punt" in oenological parlance, the indentation at the bottom of the bottle dates back to the 4th century and serves several well-defined purposes:
• Stability: a bottle placed on a table rests on its heel rather than its flat base, giving it greater stability.
• Sediment collection: during decanting, tannic deposits (in aged red wines) accumulate in the hollow of the punt, making it easier to separate them from the clear wine when pouring.
• Pressure resistance: for sparkling wines (Champagne, Crémant), a very deep punt reinforces the bottle's resistance to 6 bars of internal pressure.
• Ease of service: a thumb slipped into the punt allows the bottle to be held firmly during service — a classic sommelier technique for large bottles.
The depth of the punt gives an indirect indication of the bottle's robustness: very deep in Champagne bottles (high pressure), moderate in Bordeaux and Burgundy bottles, and virtually absent in the Alsace flute (whose bottom is practically flat).
The color of the glass is not a purely aesthetic choice; it serves a function of protecting the wine against ultraviolet rays. UV rays accelerate oxidation reactions in wine and can cause the "light strike" — an irreversible alteration of aromas, particularly rapid in sparkling wines and delicate white wines.
|
Glass color |
Use & purpose |
|
Dark green (bottle) |
The most common color for aged red wines and structured whites. Effectively filters UV rays. Bordeaux red, Burgundy red, Champagne, Côtes-du-Rhône. |
|
Smoky brown / Dead leaf |
Very effective against UV rays. Used in Burgundy (whites and reds). Traditional color known as "dead leaf." Excellent protection for long aging. |
|
Light brown (Antique) |
Alsace flutes and Germanic wines. French Riesling often in brown, German Riesling often in green. An old convention linked to regional traditions. |
|
Colorless (transparent) |
Young white, rosé and primeur red wines intended to be drunk young. Allows the wine's color to be observed. Less protective against UV rays; to be avoided for wines intended for aging. |
|
Light green / Yellow-green |
Some Loire wines, Champagne (sometimes). Intermediate UV protection. A luminous visual effect appreciated for dry and sparkling white wines. |
|
Cobalt blue |
Rarely used for quality wines. More of an aesthetic trend (some German wines, aromatic wines). Offers little protection; reserved for early consumption. |
|
Clear crystal (Cristal Roederer) |
A unique case: the Cristal Roederer bottle in transparent glass with a flat bottom. Protected by a yellow anti-UV cellophane. A historical choice (at the Tsar's request) maintained by tradition. |
The general rule: the longer a wine is meant to age, the darker and more protective its bottle should be. A Bordeaux Grand Cru intended for 20 years of cellaring will always come in a dark green or brown bottle, never in a clear one. Conversely, a Provence rosé meant to be drunk within the year can be bottled in a clear or lightly tinted bottle without significant risk.
This is a question many enthusiasts ask. The answer is almost no, with two notable exceptions:
• The Alsace flute is regulated by a decree of 1955: any wine bearing the Alsace appellation must obligatorily be bottled in this specific shape.
• The Jura clavelin is also mandatory for Vins Jaunes from the Jura, with its regulated capacity of 62 cl.
Outside of these two protected shapes, no patent applies to bottle shapes. A Bordeaux producer can legally bottle their wine in a Burgundy bottle, and vice versa. In practice, regional traditions are very deeply rooted, but exceptions exist, particularly among winemakers wishing to stand out or to target specific international markets.
This is why one finds Bordeaux bottles in Argentina, Australia and the United States for wines based on Cabernet Sauvignon, Burgundy bottles in New Zealand for Pinot Noir and Chardonnay, and Alsace flutes in Germany and Austria for Rieslings. The shapes have traveled with the grape varieties and the winemakers, becoming global visual reference points.
The only regulated engraved mention: in Châteauneuf-du-Pape, bottles must obligatorily bear the papal coat of arms (the crossed keys) engraved on the glass. In Côtes-du-Rhône, bottles bear the mention "Côtes-du-Rhône" engraved on the shoulders. These mentions do not protect the shape but the visual identity of the appellation.
In theory, yes; in practice, with some nuance. The shape of the bottle gives an imprecise but useful visual indication of the probable regional origin of a wine:
• Bottle with square, high shoulders → probably a Bordeaux wine, a South-West wine or a Cabernet Sauvignon-based wine from around the world
• Bottle with round, sloping shoulders → probably a Burgundy wine, a Pinot Noir, a Chardonnay or a Rhône wine
• Very slender and slim bottle → almost certainly a Riesling or an Alsace wine, or a Germanic wine
• Squat 62 cl bottle → exclusively a Vin Jaune du Jura
• Skittle- or corset-shaped bottle → probably a Provence rosé
• Very thick bottle with a deep punt → a Champagne or a sparkling wine
However, this reading remains approximate: producers are free to choose their container, and many "non-standard" wines use bottles that do not correspond to their regional tradition. The shape is a clue, not a certainty.
The different shapes of wine bottles are the result of centuries of regional tradition. Each French wine-growing region developed its own shape based on local glassblowing practices, the specific needs of its wines (retaining tannins, withstanding pressure) and its visual identity. The Bordeaux bottle, with its high shoulders, retains sediment; the Champagne bottle, with its thick glass, withstands pressure; and the Alsace flute is simply the product of an ancient Alsatian tradition.
The Bordeaux bottle has high, very pronounced shoulders, a perfectly straight cylindrical body and a short neck. Its shoulders serve a technical function: retaining the sediments of red wines during service. The Burgundy bottle has round, sloping shoulders, a slightly conical body and a deep punt. Its more supple silhouette reflects the style of Burgundy wines, generally less tannic and more refined than Bordeaux wines.
The Alsace flute is the result of an ancient regional tradition shared with Germany and Austria, all of these regions producing aromatic white wines based on Riesling, Gewurztraminer and Pinot Gris. Its slender shape is protected by a decree of 1955: any wine bearing the Alsace appellation must obligatorily be bottled in this specific shape. The flat bottom (without a punt) is a distinctive characteristic.
This is one of the most fascinating anecdotes in French oenology. Vin Jaune from the Jura is aged for a minimum of 6 years in untopped oak barrels (the level is never replenished) under a veil of yeast. Over these 6 years, a portion of the wine evaporates — the "angels' share." Only 62 centiliters remain for each initial liter of wine. The capacity of the clavelin represents exactly this remaining quantity, making each bottle a living testament to 6 years of patient aging.
The shape alone does not influence the taste of the wine. Only the volume of the bottle has a real impact on the wine's development: a half-bottle (37.5 cl) causes the wine to age faster, while a magnum (1.5 L) causes it to age more slowly and harmoniously. The shape is above all a matter of regional identity, tradition and functionality (shoulders to retain sediments, thick glass to withstand pressure).
There are two in France: the Alsace flute (decree of 1955, mandatory for all AOC Alsace wines) and the Jura clavelin (mandatory for Vin Jaune, with a regulated capacity of 62 cl). All other bottle shapes — Bordeaux, Burgundy, Champagne, Provençal — are traditions that benefit from no legal protection. A producer is technically free to use whichever bottle shape they choose.
Champagne bottles and sparkling wine bottles must withstand an internal pressure of approximately 6 bars, equivalent to 3 times the pressure of a car tire. To prevent the bottle from exploding, the glass is made significantly thicker than for still wines, and the punt at the bottom is very deep to reinforce the structure. This is why a Champagne bottle is noticeably heavier than a still wine bottle of the same capacity.
COLLECTION NEAR PARIS & VAT REFUND FOR TOURISTS
Free collection in our warehouse near central Paris (92)